Jews faced discrimination and were marginalized in Elizabethan England.  They were often portrayed negatively in literature and were subject to legal restrictions and stereotypes.  Although there is no evidence that suggests Shakespeare personally encountered Jews or had direct interactions with them, his plays do reflect the prevailing attitudes and stereotypes of the time.  For example, the character of Shylock in The Merchant of Venice is a complex portrayal of a Jewish moneylender, showcasing both the prejudices against Jews and a nuanced exploration of identity, justice, and mercy.

England during Shakespeare's time experienced an influx of immigrants, particularly from France, Italy, and the Netherlands.  These immigrants brought their cultural traditions, language, and perspectives, which enriched the social and intellectual landsape.  Shakespeare's exposure to diverse immigrant communities likely broadened his understanding of different cultures, languages and worldviews.  This exposure is reflected in his plays through the inclusion of foreign characters, settings, and themes.  For instance, Romeo and Juliet showcases the clash between Italian and English culture, while Othello explores the compex dynamics of a black protagonist in a predominantly white society.

Africans, mainly from North Africa, were a minority group in Elixabethan England.  They were often referred to as "Moors" and faced racial prejudice and stereotyping.  Shakespeare's play Othello stands as a notable example of how Africans influenced his work.  The character of Othello, a respected general and a Moor, challenges stereotpes and address issues of race, identity, and acceptance.  Through Othello, Shakespeare examines the complexities of interracial relationships and confronts the prejudices of the time.

During the Elizabethan era, England was a Protestant country, and Catholics faced religious persecution and were considered a minority group.  Shakespeare's family had Catholic connections, and although his own religious beliefs remain unclear, he was undoubtedly aware of the tensions between Catholics and Protestants.  This awaeness is reflected in some of his plays, such as Romeo and Juliet and Measure for Measure, which explore themes of religious conflict, forbidden love, and the clash between personal conscience and religious authority.